Journal of Korean Art & Archaeology 2018, Vol.12 pp.27-43
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The Ten Symbols of Longevity paintings, rooted in Daoism and immortality beliefs, are a prevalent Korean auspicious art form, featuring thirteen longevity symbols like the sun, moon, turtles, and mushrooms. Originating in the Goryeo dynasty, they gained popularity in the Joseon period, especially in royal courts. Paintings played roles in rituals like royal weddings. A Ten Symbols of Longevity Screen at the University of Oregon marked Crown Prince Sunjong's smallpox recovery in 1879. Produced in 1880, it showcases deep blue-green landscapes with unique symbolism. Initially part of the royal collection, the screen migrated to the U.S. in 1924 through a sale facilitated by Elizabeth Keith, an advocate of Korean culture. This artwork provides insights into Korean royal ceremonies, and its dating helps classify similar artworks, aiding Korean court painting studies.
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Other articles from this issue
- Editorial Note
- The Bureau of Painting during the Joseon Dynasty: The Transformation of Institutional Systems Responding to Political Changes
- Desire for an Empire: The Painted Folding Screen Sea, Cranes, and Peaches at the Honolulu Museum of Art
- Production and Significance of Paintings of Tribute Missions to the Son of Heaven in the Late 18th Century
- Study of Ten-panel Folding Screen with Image of Peonies in the National Museum of Korea
- The Production and Copying of Portraits of Meritorious Subjects: Portraits of Jo Gonggeun and their Related Drawings
- The Production Method and Characteristics of the White Birch Bark Mudguard Flaps from Cheonmachong Tomb